Now he was praying because the Witches’ Sabbath was drawing near. May-Eve was Walpurgis-Night, when hell’s blackest evil roamed the earth and all the slaves of Satan gathered for nameless rites and deeds. It was always a very bad time in Arkham, even though the fine folks up in Miskatonic Avenue and High and Saltonstall Streets pretended to know nothing about it.
Classics that endure! Still here despite the almost year absence. Updates soon.
Happy Independence Day. Enjoying the Twilight Zone marathon on the Sci Fi channel. Two and one-half years since the last post? 2024 half gone? No possible way to recount the struggles, turmoil, and triumphs of that stretch of time. At least not in one blog post. And not now. Many things have been done. Many more are currently in the works. Let’s see if the updates can be more regular. On any subject. As Lin Carter always said, Happy Magic.
No. 31: “One Pure Writer’s Will” — review of Farah Rose Smith’sOf One Pure Will; “Lamb of God” — review of the film Lamb by Valdimar Johannsson 2022
No. 33: “Dark Nights of the Soul” — review of Matt Cardin’sJournals Vol. I; “The Cabinet of Dr. del Toro” — review of Guillermo del Toro’s Cabinet of Curiosities 2023
No. 34: “A new Lovecraftian Writer in Our Midst” — review of Tony Lamalfa’sForbidden Knowledge; “Crossing the Void” — review of Matt Cardin’s Journals Vol. II (includes interview) 2023
No. 35: “A Stuart Gordon Afterworld” a review of the film SUITABLE FLESH (adaptation of Lovecraft’s “The Thing on the Doorstep”) by Joe Lynch 2024
Fell short of my goal of 12 publications for a tumultuous 2021 but did manage a close amount of 10 for the year. Best wishes to all the editors, publisher, and writers I’ve interacted with or met this year and hope everyone has a productive and successful 2022.
Dead Reckonings No. 29 (Hippocampus Press) “Bedlam’s Children” (review of William Holloway’s BLACKWOOD ESTATES)
Dead Reckonings No. 30 (Hippocampus Press) “Green Hell” (review of the 2021 GREEN KNIGHT film)
“The Good, The Bad, and The Guilty .com” and “A Dog and His Boy” CHILDHOOD’S END double-anthology (Dumpster Fire Press)
Two issues of RANDOM ACCESS MYTHOSOPHY (Feb, Nov) for the E.O.D. amateur press
“Unsung” MARCH PLAIDNESS entry defending Helmet in the 2021 Essay Tournament of Grunge for Marchxness
“White Hellebore” in THE LAST TIME THE ALINE BUDDHA GOT SO HIGH (Alien Buddha Press 2.0)
“Horror is not a genre like the mystery or science fiction or the western. . . Horror is an emotion.” – Douglas E. Winter “That didn’t scare me.” This level of criticism grates my sensibilities. That didn’t scare me. It’s the sort of comment you overhear when leaving the cinema or that you might witness […]